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Sunday, April 8, 2012

Love Needs No False Comparisons

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A traditional love poem praises a woman’s beauty, worth, and perfection using nature metaphors. However, William Shakespeare’s Sonnet 10 does the exact opposite. Sonnet 10 mocks the traditional love poems by taking the nature metaphors and comparing them literally to the speaker’s lover. The sonnet develops a completely different view on love, one in which outside beauty is insignificant. A woman does not need to be as pretty as nature to be considered beautiful.


Sonnet 10 ridicules the tradition of comparing a beloved woman to all things beautiful under the sun and in the heavens. By using negative comparisons, the speaker proclaims that although his lover is not the most superb thing on the earth, she is still beautiful. “My mistress’ eyes” are not as bright and brilliant as “the sun,” but she is still beautiful. “Her lips” are not that wonderful red color of “coral,” but she is still beautiful. “Her breasts are dun” and not as white as “snow,” but she is still beautiful. “Black wires grow on her head,” but she is still beautiful. “Her cheeks” are not as gorgeous as “roses damasked, red and white,” but she is still beautiful. “The breath that from [his] mistress reeks” is not as sweet as “some perfumes,” but she is still beautiful. “Music hath a far more pleasing sound” than when his lover “speak[s],” but she is still beautiful. His love may not be “a goddess” walking by, but she is still beautiful. By negatively comparing his lover to the wonders and beauties of nature and the heavens, the speaker is stating the physical attractiveness is not love. Love is far deeper, stronger, and greater than outer beauty. Love is not blind. Love sees the outer appearance of the beloved one, but it does not care. The speaker wants to be with his lover because of the beauty within her.


Sonnet 10 argues a difference of opinion against flattering a woman by praising her beauty. A picture of the perfect woman is offered and then quickly replaced with a less appealing one. The woman in the sonnet who is not extremely beautiful signifies that love is deeper and more important than physical comparisons. While the woman may not be “a goddess” or as beautiful as “a rose,” the speaker still feels that she is just “as rare” and precious. He wants no other woman. The negative comparisons brings to light that all women are completely human, and that traditional comparisons to nature and goddesses are unrealistic.


The repetition of certain words such as “her”, “roses”, and “red” make the argument of the sonnet more effective. It shows the repetitive nature of the traditional way of talking about love. In addition, the rhyme and rhythm schemes contribute to the continual flow of the sonnet. However, the rhyme scheme of the last two lines is different from the rest of the sonnet. The different scheme emphasizes that the last two lines are very important and needs close attention. Moreover, the words of the sonnet give it a feeling of a more commanding nature rather than poetic. The words make the sonnet seem a little lighthearted and almost comical. Furthermore, the sonnet is written in a first person point of view. The first person point of view makes the sonnet feel more emotional, more personal, more close to home. The first person point of view, also, makes the words and feelings of the speaker seem more sincere, something to which almost anyone can relate.


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Sonnet 10 presents a love struck speaker who decides to tell the truth about the physical appearance of his beloved. He insists that love does not need false comparisons of a woman’s physical beauty to be real. He decides that his love is far better than any goddess because she is real and attainable. Sonnet 10 takes love to a deeper, intimate level where outer beauty is no longer important and inner beauty is what matters.





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