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Wednesday, November 25, 2020

As long as people in a society are hungry or out of work or lack the basic skills needed to survive, the use of public resources to support the arts is inappropriate—and, perhaps, even cruel—when one considers all the potential uses of such money.

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A States primary responsibility, simply put, is in taking care of its citizens. Along with this the State has to be involved with the advancement of Arts and Sciences regardlesss of the social situation. Thus to say that Art must take the back stage when the situation of people in a society is far from hunky-dory is well intentioned, but it suffers from misplaced priorities.The science of Economics has never painted an utopian picture of a state that prides itself in hundred percent employment. This is because, there will always exist such instances in any State anywhere in the world. It is the priority of the State as well as the society to keep the numbers of destitute, the unemployed and the unskilled at a minimum. Economics has also preached the disastrous consequences experienced, when the state neglects the Art and Sciences. Without financial patronage the entire framework of Art could come crashing down. Art in my understanding encapsulates the purview of Museums, Theaters, Music, Paintings, Libraries etc. Thus it is upon society to support the Arts, because without it a society could end up breeding deterministic, entirely objective automatons - a society without any Romantics, a society without an appreciation for its lineage. In the mid 14th century in Southern India, Raja Ravi Rao the king of the Chola Dynasty took it upon him to save the Temples and Paintings, or Art as was known to him, from the invading Mughals. His entire clan suffered in the attacks. Some might say it was improvident on his part to spend large amounts of money in this endeavour when he could have salvaged his brethern instead. But if he had taken, the latter route we might never have been able to marvel at the Architectural glory of 14th Century India. Sometimes, protecting Art at all costs is the best that we can do for our future generations - when the Ozone, the Wildlife, and natural resources are at peril. And in the present day context, when Society faces no great danger of Anhilation, the onus is upon the society itself to protect the great works of yore as well as promote Art to the fullest.History forms an intergral part of the Arts. And from History one learns not to make the same mistake twice. History makes us aware of our rich and varied past testimonials to past events lie in Museums, they lie on Broadway, the lie with the indigenious natives in the Dakotas. These need to be identified and supported by Society as they constitute our Heritage.


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But should Arts be protected at all costs? The answer again lies in the Science of Economics. Developing countries cannot spend enough for the Upkeep of their Cultural Heritage. There exists no moot point in their line of reasoning as their priority lie in improving the decrepit condition of their citizens. This is where global organizations such as UNESCO and the United Nations chip in with financial backing to save the respective countries cultural heritage.The idea of patronizing the Arts when members of a society suffer from the lack of employment, lack of food or even lack skills needed to survive is mildly contentious and stands inapplicable in developed societies. The Arts represents our heritage. Its constitutents acts as a tremendous source of upliftment of society as a whole and thus figures that indicate a moderately high level of unemployment should not be responsible for pushing the Arts into the back seat.


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