PINK FLOYD When classic literature is discussed

If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on PINK FLOYD When classic literature is discussed. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality PINK FLOYD When classic literature is discussed paper right on time. Out staff of freelance writers includes over 120 experts proficient in PINK FLOYD When classic literature is discussed, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your PINK FLOYD When classic literature is discussed paper at affordable prices!When classic literature is discussed, minds often turn to long dead poets, playwrights, and other revered minds of theliterary world. However, anything in the realm of modern music is often simply dismissed due to the pop culture nature of it.Caught directly in this glaring oversight is long-time Pink Floyd lyricist Roger Waters. Waters' lyrics of pain, isolation, insanity,and political satire cannot be overlooked simply because they are presented in modern rock songs. Waters' songs and albums

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are indeed valid literary works as they explore the facets of everyday life, much like the classic works of the past.Of the many albums he has penned, each one presents its own concept. These concepts are masterfully fleshed out overthe course of the album, taking the listener on an audiophonic tour of Roger's world. Albums such as "Animals," a moderninsight into society much like George Orwell's Animal Farm, and "The Dark Side of the Moon," an exploration of insanity,serve as all-time classics in the music world. Perhaps it was the cult-like mysticism that followed the band through their historythat made them a revolutionary cultural icon; more than likely it was the common interest that humans hold of the unexplainedparts of society. Combine this interesting song context with the Floyd's lush sound and a band whose music has defined ageneration is born.George Roger Waters was born September , 14 (Schaffner, 11, p. 15) while World War II was raging on. Roger,as he came to be called, was the third child of Eric Waters - the only child that never knew his father. The elder Waters wasgunned down in Italy in early 144 along with forty thousand other British soldiers in the attempt to capture the AnzioBridgehead from the Nazis (Schaffner, 11, p. 15). Subsequently, Roger was raised by his widowed mother, Mary Waters. Without a paternal figure in the house, Roger was brought up in a very no-nonsense manner. Right and wrong were clearlydefined, and as soon as he was of age, he was shipped off to grammar school. This strict, sheltered childhood had a lastingimpact on Roger's life and music which is most evidently seen in "The Wall".After grammar school, Roger attended the Cambridge County High School For Boys. Here he met future band memberSyd Barrett. After graduating high school, Roger elected to study architecture at Regent Street Polytechnic, where he met RickWright and Nick Mason. The three immediately developed a friendship and formed a band "Sigma 6". After gainingpopularity locally, the trio ran into Syd Barrett, Roger's old school chum, and Bob Close. Close immediately joined Sigma 6as lead guitarist, but frequently clashed with Barrett when it came to experimenting with sound. Consequently, Close left theSigma 6, leaving Syd to lead the group.With the advent of Syd, they decided a name change was in order. Syd renamed his new band, calling it "The Pink FloydSound - a tribute to Georgia blues players Pink Anderson and Floyd Council. The new group hit the London underground andbecame an instant hit with the people with their long winded "space" jams such as "Interstellar Overdrive" and "AstronomyDomine" which featured a liquid light show projected onto a screen behind them. After refining both their image and theirsound as the regular house band at the UFO, they went professional as "Pink Floyd" on February 1, 167 (Schaffner, 11, p.6). Shortly after this leap of progress, they released their first single "Arnold Layne," the story of a cross-dressingkleptomaniac. No sooner had the Floyd released it than they were taking flak over it. Radio London banned the single,labeling it as "smutty" (Schaffner, 11, p. 54). "If we can't write and sing songs about various forms of human predicament,"Roger retorted, "then we might as well not be in the business"(Schaffner, 11, p. 54). This was truly a prediction of things tocome, as he would pen four albums in the seventies that would not only explore human predicament, but also set the musicworld on its ear.After the success of "Arnold Layne," the Floyd released their debut album in 167. Named after the seventh chapter inThe Wind In The Willows, "The Piper at the Gates of Dawn" was an instant success, featuring instrumental tracks "InterstellarOverdrive" and "Pow R. Toc H.," as well as the Waters penned "Take Up Thy Stethoscope and Walk." The title of the albumalso had an ominous prognosis. The chapter from which it was taken was the chapter wherein the young otter Portly was lostand Rat and Mole went looking for him. While they were searching for Portly during the night, they were drawn to an island inthe middle of the stream by the sound of piping. The island was described as "Reserved, shy, but full of significance, it hidwhatever it might hold behind a veil, keeping it till the hour should come." Here they found a Piper, "Some great animal," whohad found Portly and was keeping him safe until he was found. After this experience, Mole remarked "I feel as if I had beenthrough something very exciting and rather terrible, and it was just over; and yet nothing in particular has happened." To this,Rat replied "Or something very surprising and splendid and beautiful." (Grahame, 108, pp. 74-8) This whole experience forMole and Rat was much like the experience of releasing an album for Pink Floyd. Until then, all of their talents remainedhidden behind a veil - with the release of an album, the music world would be able to see what Pink Floyd could do. Theconversation between Mole and Rat also holds more significance than could have been imagined when they first named thealbum. True, the release of "Piper" could have been "nothing in particular," but it turned out to be "something very ... splendid"(Grahame, 108, p. 8).After the initial success of "The Piper at the Gates of Dawn," lead guitarist Syd Barretts mental health began to decline. Assisted largely by the vast amounts of acid he was taking, combined with the instant pop-stardom he had achieved, hebecame "well freaked-out" (Schaffner, 11, p.76) much of the time, as well as very undependable for gigs. When he waswell enough to perform, he often stood on stage with a vacant expression, randomly strumming at various chords. Irked attheir bandleader's unreliability, the others began talking of letting him go from the band. One day they simply didn't pick himup for rehearsal; on April 6, 168, it was announced that Syd Barrett had "left" the group.Without Syd, Roger took up much of the responsibility as band leader, which not only included hiring David Gilmour as thenew lead, but also penning the majority of the songs. Their sophomore album, "A Saucerful of Secrets", proved to be amilestone in the second year of Pink Floyd's career. Without Syd, the primary influence for their psychedelic nature, they hadto find their own way, both in music and image. While there were traces of Syd on the album, such as the psychotic "JugbandBlues," the album was mainly progressive in nature. The listener got a taste of what was to come from Waters with thesarcastic "Corporal Clegg," the tale of a "shell-shocked war hero." (Schaffner, 11, p. 1) However, the most evolvedsong in the way of the Floydian sound that became the standard in the seventies was probably the title track "A Saucerful ofSecrets."With each subsequent album, Pink Floyd continued to develop their sound a little more with every release. Over thecourse of the next five years, the Floyd released two more notable studio albums, "Atom Heart Mother" in 170 and "Meddle"in 171. Although "Atom Heart Mother" did give them their first number one record, the only piece that served to developtheir sound further was, once again, the title track. "I'm bored with most of the stuff we've done. I'm bored with most of the stuff we play ... There isn't much new stuff, isthere?" (Waters as quoted in Melody Maker, March 7, 170). If there was one crowning moment that shifted things into"overdrive", then this would have to be it. Roger became truly bored with everything Floyd had done up to that point in time,and he decided it was time to make a change. The album "Meddle" was that change. Filled with jazz riffs, a sweet harmony,and even some innovative pieces, "Meddle" was the record that began the era of definitive Floyd. In the fashion of "ASaucerful of Secrets" and "Atom Heart Mother", "Meddle" also contained a long instrumental piece, this time titled "Echoes." Utilizing a repeat echo unit left over from the Syd Barrett era, each member went into the studio and recorded variousinstrumental "ramblings" and whatever else came to mind at the moment (Schaffner, 11, p. l64). When this was edited, PinkFloyd had a twenty-three minute soundscape of musical wonder. More interesting was "Fearless," a song to which Rogerwrote the words and Dave Gilmour penned the score. With lyrics like "fearlessly the idiot faced the crowd,"(Pink Floyd,000, meddle.html) that hinted at the Barrett situation, "Fearless" directly inspired another song. After the "Meddle" sessions,Waters penned another song "The Dark Side of the Moon," which alluded to Syd even more directly, but decided to save itfor a future project which was beginning to form in his subconscious. Another precursor to their future works was the openingtune on "Meddle," titled "One of These Days (I'm Going to Cut You into Little Pieces)." Packaged in a song that was lessthan six minutes long, the slightly psychotic, yet hypnotic groove was a hint of what was to come two years in the future (PinkFloyd, 000, meddle.html) Eleven years into the existence of Pink Floyd, they had found their niche in the music society.In 17, Pink Floyd broke into immortality. They released an album which would "eclipse" all other record sales,remaining on the Billboard charts for an industry best fourteen years. That album was "The Dark Side of The Moon." "DarkSide" was "a collection of epics steeped in Waters lyrics of paranoia, alienation, and schizophrenia." (Pink Floyd, 000,dark.html) This was the work that truly explored Barrett's mental lapse, as well as some of the problems in society and life ingeneral that lead to other mental trauma. Working with sound engineer Alan Parsons, they seamlessly blended in a multitude ofsounds, ranging from the public address at an airport terminal to footsteps, a cash register, clocks, and the pulsing heartbeatthat opened and closed the album. Adding to the mystique of all of these sound effects were the barely audible spoken passages that can be heard throughout the album. These chilling speeches were the result of interviewing random Abbey Roadoccupants about their views on insanity, death, and violence. "The Dark Side of the Moon" can be best described as "complex simplicity". While this is an oxymoron, it fits the albumperfectly. All of the titles are very straightforward, yet the lyrics are very insightful, almost brutally honest in some cases. Forexample, "Breathe" is simply about life and living.Run, run rabbit run / Dig that hole, forget the sun, And when at last the work is done / Don't sit down it's time to start another one For long you live and high you fly / But only if you ride the tideAnd balanced on the biggest wave / You race toward an early grave.(Pink Floyd, 000, dark.html)Utilizing symbolism and metaphors, Waters puts the hurried pace of life into a different perspective. With the proper insight, itis easy to see how one might go a little awry in their thought processes with the stress of touring and recording along with thedaily duties of life.Their first American "Top 40" hit also came from this album. The sixth track, "Money," was not only very popular, but italso carried a very strong message about the society of this time period. "Grab that cash with both hands and make a stash /New car, caviar, four star daydream / Think I'll buy me a football team" (Pink Floyd, 000, dark.html). While this passageisn't deeply metaphorical, it does present a sarcasm-drenched point. What is happiness? Happiness is not necessarily owninga football team, but perhaps a transcendental happiness like Thoreau's "Walden". This kind of happiness doesn't revolvearound any sort of material possession, but just an inner happiness. The way Thoreau saw it, as long as you were happy withwho you were, nothing else mattered.Closing the "Dark Side" album was the song that had the working title of the same name, penned by Waters two yearsprior in ‘71. Retitled "Brain Damage / Eclipse" for inclusion on the album, it is a powerful allusion directly to Syd. "BrainDamage," a rather self-evident title, refers to the vast quantities of LSD which led to Syd's eventual downfall. With lyrics suchas "The lunatic is on the grass / Remembering games and daisy chains and laughs / Got to keep the loonies on the path" (PinkFloyd, 000, dark.html), it refers to the actual process of his mental breakdown. This song segues into "Eclipse", whichalludes to the final days of Syd's presence in which he was creative and still very gifted, just undependable. Following a stylewhich is very poetic in nature, Waters presents his ideas in list form to make the point.All that you do / All that you say ... All that is now / All that is gone All that's to comeAnd everything under the sun is in tuneBut the sun is eclipsed by the moon.(Pink Floyd, 000, dark.html)Using the sun and the moon as a metaphor for Syd's life, Roger ends the song with a good point, even a sort of an ode tohis friend. Everything in Barrett's life (everything under the sun) was in great condition. His music was good, the lyrics hewrote were not the mainstream of sex and drugs, but were creative songs about life. However, his drug use (the moon)eclipsed all of these good things to destroy his career as well as his life.After the remarkable commercial success of "The Dark Side of the Moon," Pink Floyd had high standards to live up to. Under pressure from the record company to come out with another smash-hit album, they did just that. The new album wouldbe called "Wish You Were Here"; it could have just as easily been called "The Pink Floyd Story."Sandwiched between a parts I-IV and VI-IX of "Shine On You Crazy Diamond," a musical tribute to Syd Barrett werethree satirical songs which would immediately become classics. "Welcome to the Machine," a "diatribe against an industry more concerned with money than creative music making"(www.pinkfloyd.com/lyrics/wish.html, 4/0/00) was the first of the three middle songs. With its mechanized throb of a VCSsynthesizer, its lyrics likened the record industry to a machine, only capable of producing hits, not interested in the art of musicmaking. "Welcome my son, welcome to the machine / What did you dream? It's all right, we told you what to dream" (PinkFloyd, 000, wish.html). This was the attitude that the Floyd ran into after the success of "Dark Side"; the companies nowknew what they were capable of, and they wouldn't settle for anything less."Oh by the way, which one's Pink?" (Pink Floyd, 000, wish.html). Believe it or not, this was actually asked of the bandwhen they were first starting out. "Have a Cigar" was written in the same spirit as "Welcome to the Machine," but wasdirected more at the executives than at the industry itself....We're so happy we can hardly count.Everybody else is just green, have you seen the chart?It's a helluva start, it could be made into a monster if we all pull together as a team.And did we tell you the name of the game, boy?We call it riding the Gravy Train.(Pink Floyd, 000, wish.html)This was just one of the many frustrations that the members of Pink Floyd experienced over the course of their careers. Theexecutives seemed to have a very cavalier attitude toward the bands, and they were more than willing to ride the "Gravy Train"as Roger put it."Wish You Were Here," the title track for the album, was an acoustic contemplation of life which utilized a series ofquestions to express the feeling of disillusionment that was often felt by both Waters and Barrett. Perhaps the most poignantcontemplation in the song was the passage "We're just two lost souls swimming in a fish bowl, year after year / Running overthe same old ground / What have you found? The same old fears. / Wish you were here" (Pink Floyd, 000, wish.html). Thisaccurately expresses both the unsureness that Roger often felt about the band's future, as well as the longing he had for hisfriend.While the filler songs were very good, and extremely popular, it was the nine-movement "Shine On You Crazy Diamond"which made the album spectacular. Following a style very similar to that of Shakespeare in Macbeth, Waters uses oxymoronsand the juxtaposition of unlike ideas layered over a masterful soundscape to create a very beautiful ode to his friend, SydBarrett. "Remember when we were young, you shone like the sun / Shine on you crazy diamond / Now theres a look in your eyes,like black holes in the sky / Shine on you crazy diamond" (Pink Floyd, 000, wish.html). With this, the "Wish You Were Here"album is opened. Movements I-V deal with Syd's young adulthood and the formation of Pink Floyd, only hinting at the tragicdownfall which would come years later. When he was young, indeed, he did indeed shine "like the sun", both in appearanceand his gift for music. However, as his career progressed, and his health regressed, he "wore out his welcome with randomprecision" (Pink Floyd, 000, wish.html) and the Floyd could no longer function effectively as a band with him in the group. "Random precision," when one thinks about it, is a very beautiful concept within itself. Random, implying that something has noset pattern, and precision, with the implication of an exacting process, don't seem to fit together in the least bit. This wasn't atall true with Syd; He was still very much a member in the band up until his dismissal in the creative sense, he just wasn'tcarrying his weight when it came to playing gigs and other vital roles.After the three middle songs told their tales of Pink Floyd's plight, the album was ended with "Shine On You CrazyDiamond VI-IX". This was a final tribute to Syd, although it wouldn't be their last musical tribute to their "piper" ever.Nobody knows where you are, how near or how far.Shine on you crazy diamondPile on many more layers and I'll be joining you there.Shine on you crazy diamondAnd we'll bask in the shadow of yesterday's triumph, sail on the steel breezeCome on you boy child, you winner and loser,Come on you miner for truth and delusion, and shine.(Pink Floyd, 000, wish.html)Thus ends the album with a touching salute to his bygone friend. Perhaps the nicest thing he wrote was in these movementswas "come on you boy child, you winner and loser, ... miner for truth and delusion...". This juxtaposition, much likeShakespeare's "Fair is foul and foul is fair" (Prentice Hall, 18, p. 46) conveys his sympathy and understanding remarkablywell. Displacing any feelings of resentment with pity and understanding, Roger uses the comparisons as if to say "We know itwasn't intentional; you're forgiven."In 177, while England was in the clutches of the punk revolution, Pink Floyd decided to get back to basics. Abandoningtheir trademark soundscapes, they decided to release a basic guitar driven album for a change. They did this with success, butthe musical style was the only thing they changed. Waters, once again came out with a fresh concept album, this one taking alook at the modern social system. This album was to be titled "Animals", an anthropomorphism of the human race into animalform much like Orwell's novel Animal Farm. Waters divided up the human race into three categories dogs, pigs, and sheep. Through his sociopolitical venom and graceful lyrics, he accurately portrayed the dogs as merciless opportunists, grasping forsuccess at any price; the pigs as pathetic, self-righteous tyrants; and the sheep as the mindless followers being used by the pigsand the dogs (Pink Floyd, 000, animals.html), much like Orwell did in his own allegory. The first animals the listener is introduced to are the dogs. As mentioned, the dogs are the opportunists in the world,including people like businessmen, politicians, and perhaps even lawyers.Although this is not directly stated in the song at any point, one can infer what they want through the satire which Waters used. You gotta be able to pick out the easy meat with your eyes closed... And after a while, you can work on points for style Like the club tie, and the firm handshake... You have to be trusted by the people you lie toSo that when they turn their backs on youYou'll get the chance to put the knife in.(Pink Floyd, 000, animals.html)Roger has an inherent distrust for anyone in a club tie and a good handshake, but for good reason. There must have beenmany times where he was introduced to a record executive much like this, only to be dealt a poor hand in the end.In the end, Roger has the dogs die a solitary death, consumed by cancer. This is another excellent use of metaphor. It isunlikely that they would die specifically from cancer, but cancer is a very nice likeness of being "cloaked in an air of selfimportance" - it invades your body and eventually takes it over, much like a cancer does (Pink Floyd, 000, animals.html).Closing the song were the thoughts that must have ran through the dogs mind before he dies - he contemplated hisexistence. Following a style very similar to that of Beat poet Allen Ginsberg in his "Howl", Waters asks a question beginningwith "who" in a repeated fashion to make a point about society. "Who passed through universities with radiant eyeshallucinating Arkansas and Blake-light tragedy among the scholars of war, / Who were expelled from the academies for crazy& publishing obscene odes on the windows of the skull..." ("Howl", 155) was a point that Ginsberg was making about theconsciousness and development of society in the mid-150's.Who was born in a house full of pain?Who was trained not to spit in the fan?Who was told what to do by the man?Who was broken by trained personnel?Who was fitted with collar and chain?Who was given a pat on the back?Who was breaking away from the pack? (Pink Floyd, 000, animals.html)This use of the word "who" as well as each question by Waters in "Dogs" makes a very effective point, perhaps even more sothan Ginsberg. After listening to this, or reading it, one might seriously take a look at what their life has amounted to andperform a similar analysis.The next characters introduced are the pigs - the self-righteous tyrants of the group. This is a very close likeness to the pigsof Animal Farm, as it was Napoleon (a pig) that kept modifying the Seven Commandments so they would fit his purpose at thetime. Very much like present society, he modified the Seventh Commandment from its original state of "All animal are createdequal" to his version "All animals are created equal, but some animals are more equal than others" (Orwell, 146, p. 148) In "Pigs (Three Different Ones)", Waters makes a quick point with the opening stanza "Big man, pig man, ha ha, charadeyou are. / You well heeled big wheel, ha ha, charade you are." Not only by using the description of a typical boss figure, hereemphasizes the complete falseness of their tyranny with the constant repetition of "ha ha, charade you are (Pink Floyd, 000,animals.html). This makes not only for a very effective allegory of society, but it also adds a little humor while listening to it aswell.The last parts of society are the sheep. The mindless followers of the group, their sole purpose in life seems to revolvearound being used by the dogs and the pigs, as they are too mindless to have their own thought process. This too, was alsovery similar to Orwell's Animal Farm, as it was the Sheep that needed the Seven Commandments reduced to "Four legs good,two legs bad" (Orwell, 146, p. 7) so that they could grasp the concept as well as remember it."Harmlessly passing your time in the grassland away / Only dimly aware of a certain unease in the air / You better watchout / There may be dogs about" (Pink Floyd, 000, animals.html) is a very accurate depiction of society in general. It doesn'tmatter whether this was written in 177 or 17, the concept still holds true. There will always be a faction in society that istotally unaware. They will have no clue as to what is going on around them, nor will they care. Not all of them will be used bythe other people in society, but the potential is certainly there. In Roger's composition the sheep eventually revolt andoverthrow both the pigs and the dogs, which is slightly different from the sheep on the Animal Farm, since they were much tooscared to even sing "Beasts of England" aloud (as it was ruled illegal), let alone speak out against Napoleon and the Dogs. However, an uprising of sorts is possible in some ways. Eventually the Sheep of the world may figure out that they are indeedbeing used and that they outnumber the Pigs and the Dogs, but this is not likely.With three concept albums under his belt, Roger Waters was moving inevitably toward his magnum opus - "The Wall". "The Wall," as it turned out, was a collage of all three of his prior albums - "The Dark Side of the Moon," "Wish You WereHere," and "Animals". The main character in "The Wall", a combination of both Roger and Syd's personalities, was cleverly named "Pink Floyd". The album revolves around the "fictional" Pink Floyd's isolation behind a self imposed psychological wall. The wall has beenbuilt by various parts of his life and as he loses the ability to deal with these neuroses, the "worms" eat into his brain.Like so many classic works, "The Wall" is a framework story. The album opens with "In The Flesh?," an introduction tothe burnt out Pink. The song ends with "If you wanna find out what's behind these cold eyes / You'll just have to blow yourway through this disguise" (Pink Floyd, 000, wall.html), an invitation to look into Pink's life, and then it goes on to the nextsongs which explain his childhood. The next significant sequence is the "Another Brick in the Wall, Part I," "Happiest Days of Our Lives," "Another Brick inthe Wall, Part II" series. The listener learns that "Daddy's flown across the ocean, / Leaving just a memory" (Pink Floyd,000, wall.html) from "Another Brick ... Part I," much like Roger's own father did. In "Happiest Days of Our Lives," Rogerrecalls his own grammar school days with his stinging synopsis of the education system - "There were certain teachers, / Whowould hurt the children in any way they could, / By pouring their derision, / Upon anything we did, / Exposing every weakness,/ However carefully hidden by the kids" (Pink Floyd, 000, wall.html). As "Happiest Days" segues into "Another Brick In TheWall, Part II," the chorus (ironically, a group of school children) comes in with the verse "We don't need no education, / Wedon't need no thought control. / No dark sarcasm in the classroom. / Teacher leave those kids alone... All in all you're justanother brick in the wall (Pink Floyd, 000, wall.html). As the album progresses, the listener will notice that all of thesenegative things in "Pink's" life are deemed the "bricks" which make up his wall.Another extension of Roger's childhood in the album was being raised by a war-widowed, overprotective mother, which ismost obviously translated in "Goodbye Blue Sky" and "Mother""...The flames are all long gone, / But the pain lingers on. / Goodbye blue sky" (Pink Floyd, 000, wall.html). The flames,serving as a powerful symbol for the war that claimed his father, took away his life as he knew it. Combine the pain of losinghis father as well as his overbearing mother and a few more bricks are put into place. Momma's going to keep you right here under her win.She won't let you fly, but she might let you sing....Ooo Babe, of course Momma's gonna help build the wall....Momma's going to check out all your girlfriends for youMomma won't let anyone dirty get throughMomma's gonna wait up until you get in....Ooo Babe, you'll always be baby to me.Mother did it need to be so high?(Pink Floyd, 000, wall.html)Even just an excerpt from the song shows how incredibly protective Pink's mother was, and certainly anyone who was a childcan remember how annoying this is, especially over long periods of time.With "Empty Spaces," Pink asks himself "How shall I fill the empty spaces? / How shall I complete the wall?" (Pink Floyd,000, wall.html). As an answer, he remembers both the fear and the fascination with sex, a result of his mother'soverprotectiveness, that he experienced after leaving home. The chorus of "Ooo, I need a dirty woman. / Ooo, I need a dirtygirl" (Pink Floyd, 000, wall.html) in "Young Lust" is a shining example of his early fascination with it. As the albumprogresses, the audience gets a glimpse of Pink's fear of commitment in both "One Of My Turns" and "Don't Leave MeNow" In "One Of My Turns," Pink has an neurotic episode, or "one of his turns". After taking home another groupie, he realizesthat "Day after day, / Our love turns gray, / Like the skin of a dying man" (Pink Floyd, 000, wall.html). After destroying theroom he was in, the girl he was with runs away, and he comes to a realization that he can't love, or be loved in the state he isin. "I need you, Babe, / To put through the shredder in front of my friends. / Oh Babe, / Don't leave me now. / How couldyou go?" (Pink Floyd, 000, wall.html), from "Don't Leave Me Now," is his realization of how completely destroyed his lifehas become. Ending the first disc are "Another Brick In The Wall, Part III" and "Goodbye Cruel World"."I don't need no walls around me. / And I don't need no drugs to calm me. / Don't think I need anything at all. / All in all it wasall just the bricks in the wall" (Pink Floyd, 000, wall.html). Pink now realizes that he has let everything in his life get to him,and he seems quite content in just slipping into his funk. With the final song, "Goodbye Cruel World," Pink accepts theinevitable - the wall was built, and there was no apparent way out.Not content with being trapped behind his wall, Pink makes his first plea for help to open the second disc with "Hey You".Hey you, would you help me to carry the stone? Open your heart, I'm coming home.But it was only fantasy,The wall was too high, as you can see.No matter how he tried he could not break free.And the worms ate into his brain.(Pink Floyd, 000, wall.html)Not only does the world hear Pink's cry for help, but the listener is also introduced to the "worms," which are Water's physicalmanifestation of insanity. The middle passage of the second disc, "Nobody Home" and "Comfortably Numb" serve as a reminder to Pink'spredicament; he is very isolated, both from society and life.I got the obligatory Hendrix perm,And the inevitable pinhole burns,All down the front of my favorite satin shirt....I've got wild, staring eyes.And I got a strong urge to fly,But I got nowhere to fly to ...fly to ...fly to ...fly to.(Pink Floyd, 000, wall.html)Once again, the listener is exposed to Pink's desire to escape, but indeed, be has nowhere to "fly to" as he sits, unaware, in hishotel room. He has no real friends, just the mindless fans, the groupies, and the money grubbing managers. Roger uses Syd as a model for Pink in "Comfortably Numb," perhaps here more than any other song. There were oftentimes where they would have to prop Syd up on stage because he was so "wasted", much like the doctors have to give Pink ashot of drugs just so he can perform the next show. "Comfortably Numb" serves as the dnouement in "The Wall," as this iswhere Pink makes some life decisions. As the record company doctors are drugging him up so that he is able to perform, herealizes what his life has become.When I was a child, I caught a fleeting glimpse,Out of the corner of my eye.I turned to look but it was gone. I cannot put my finger on it now.The child is grown, the dream is gone.I have become comfortably numb.(Pink Floyd, 000, wall.html)With this closing of the song, Pink begins his trial and prosecution of himself.The latter quarter of the album consists of Pink's mental evolution, his trial, and the crumbling of his wall. Afterreceiving the doctor's injection in "Comfortably Numb," his on-stage persona is transformed from a docile rock star to a"race-baiting fascist" (Pink Floyd, 000, wall.html) who will no longer be anyone's paean, Pink Floyd would now be his ownman. The first step was to confront the pathetic fans. "In The Flesh," this time without the question mark was Pink's viciousconfrontation of the crowd, condemning their lack of individual thought.So ya thought ya might like to go to the show.To feel the warm thrill of confusion, that space cadet glow.I got some bad news for you sunshine, Pink isn't well, he stayed back at the hotel,And he sent us along as a surrogate band.We're gonna find out where you fans really stand.(Pink Floyd, 000, wall.html)The song, named after the Floyd's 177 "In The Flesh" tour, ostracizes all of the mindless fans that Roger observed basking inthe "space cadet glow" (Pink Floyd, 000, wall.html), not really caring about or understanding anything they were doing. Much like Roger's reasoning for writing the album, Pink decides that he doesn't need that sort of person's support.Also maligning that sort of mindless conformity was the popular "Run Like Hell". With lyrics like "You better make yourface up, / In your favorite disguise, / With your button down lips, / And your roller blind eyes" (Pink Floyd, 000, wall.html),Roger blasts the way everyone seemed to think, act, and dress alike. Effectively proving the point, he ended the song with"You better run!" (Pink Floyd, 000, wall.html).Closing the album was the sequence of his trial, featuring "Waiting For The Worms," "The Trial," and "Outside The Wall." As Pink was waiting for the worms, he could have still gone either way. He could have easily remained behind the wall with the aid of the worms by taking the path of least resistance, orhe could go through his trial and overcome the wall. In "The Trial," Pink is presented with everything that contributed to his wall; his strict childhood, his mother, and his badexperiences with love. After hearing all of these things, the "Worm Judge," proposes a sentence.In all my years of judging, I have never heard before,Of someone more deserving of the full penalty of law.The way you made them suffer, Your exquisite wife and mother,Fills me with the urge to defecate!No, Judge, the jury!Since, my friend, you have revealed your deepest fear,I sentence you to be exposed before your peers.Tear down the wall!(Pink Floyd, 000, wall.html)In actuality, of course, there is no judge, no is there a jury. It is merely Pink making an evaluation of his life and coming to arealization that he has been both a coward and a fool. He tears down his own wall, leaving himself helpless and vulnerable forthe world to see him as a human; not some superhuman person that is incapable of showing human emotions.The album ends very appropriately, with a song entitled "Outside The Wall."The ones who really know you,Walk up and down outside the wall....And when they've given you their all, Some stagger and fall.After all it's not easy,Banging your head against some mad buggers wall.(Pink Floyd, 000, wall.html)With this passage, Roger presents the listener with a valuable message. You can't expect to be happy without ever lettinganyone near you. Pink had to learn through a very traumatic experience that it is completely natural to show human emotions;to love, to be loved, to care about things. The more a humans make themselves unattainable by means of a defense mechanismsuch as a "wall", the more people will "give you their all, ... [and] stagger and fall" (Pink Floyd, 000, wall.html); that is, give upon trying.Through a decade of music, Roger Waters has presented a multitude of life lessons to the music world. Whether it iscontemplating the meaning of life, or helping to look at the world around oneself, his lyrics prove effective time after time. From the biting sarcasm on "The Dark Side of The Moon" and "Wish You Were Here" to the satirical allegory on "Animals",Waters' lyrics are always presented in a clear, thoughtful fashion. When people brush Pink Floyd off as "trendy pop music",they are truly depriving themselves of both musical and lyrical genius.Please note that this sample paper on PINK FLOYD When classic literature is discussed is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on PINK FLOYD When classic literature is discussed, we are here to assist you. Your cheap custom college paper on PINK FLOYD When classic literature is discussed will be written from scratch, so you do not have to worry about its originality. Order your authentic assignment and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!

Friend of Mine

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He was a friend of mineHe was a friend of mineEvery time I think about him nowLord I just cant keep from cryin

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Cause he was a friend of mineHe died on the roadHe died on the roadHe never had enough moneyTo pay his room or boardAnd he was a friend of mineI stole away and criedI stole away and criedCause I never had too much moneyAnd I never been quite satisfiedAnd he was a friend of mineHe never done no wrongHe never done no wrongA thousand miles from homeAnd he never harmed no oneAnd he was a friend of mineHe was a friend of mineHe was a friend of mineEvery time I hear his nameLord I just cant keep from cryinCause he was a friend of mine.I got to see you baby, I dont careIt may be someplace, baby, you say where.I had a dream about you, babyHad a dream about you, babyLate last night you come a-rollin across my mindYou got the crazy rhythm when you walkYou make me nervous when you start to talkI had a dream about you, babyHad a dream about you, babyLate last night you come a-rollin across my mindStandin on the highway, you flag me downSaid, take me daddy, to the nearest townI had a dream about you, babyHad a dream about you, babyLate last night you come a-rollin across my mindThe joint is jumpinIts really somethinThe beat is pumpinMy heart is thumpinSpent my money on you honeyMy limbs are shakinMy heart is breakinYou kiss me, baby, in the coffee shopYou make me nervous, you gotta stopI had a dream about you, babyHad a dream about you, babyLate last night you come a-rollin across my mindYou got a rag wrapped around your headWearing a long dress fire engine redI had a dream about you, babyHad a dream about you, babyLate last night you come a-rollin across my mindf you getcha one girl, better get twoCase you run into Gypsy LouShes a ramblin woman with a ramblin mindAlways leavin somebody behind.Hey, round the bendGypsy Lous gone againGypsy Lous gone again.Well, I seen the whole country throughJust to find Gypsy LouSeen it up, seen it downFollowin Gypsy Lou around.Hey, round the bendGypsy Lous gone againGypsy Lous gone again.Well, I gotta stop and take some restMy poor feet are second bestMy poor feet are wearin thinGypsy Lous gone again.Hey, gone againGypsy Lous round the bendGypsy Lous round the bend.Well, seen her up in old CheyenneTurned my head and away she ranFrom Denver Town to WichitaLast I heard shes in Arkansas.Hey, round the bendGypsy Lous gone againGypsy Lous gone againWell, I tell you what if you what if you want to doTell you what, youll wear out your shoesIf you want to wear out your shoesTry and follow Gypsy Lou.Hey, gone againGypsy Lous round the bendGypsy Lous round the bend.Well, Gypsy Lou, I been toldLivin down on Gallus RoadGallus Road, ArlingtonMoved away to Washington.Hey, round the bendGypsy Lous gone againGypsy Lous gone againWell, I went down to WashingtonThen she went to OregonI skipped the ground and hopped a trainShes back in Gallus Road again.Hey, I cant winGypsy Lous gone againGypsy Lous gone againWell, the last I heard of Gypsy LouShes in a Memphis calabooseShe left one too many a boy behindHe committed suicide.Hey, you cant winGypsy Lous gone againGypsy Lous gone againHandy dandy, controversy surrounds himHe been around the world and back againSomething in the moonlight still hounds himHandy dandy, just like sugar and candyHandy dandy, if every bone in his body was broken he would never admit itHe got an all girl orchestra and when he saysStrike up the band, they hit itHandy dandy, handy dandyBridge #1You say, What are ya made of?He says, Can you repeat what you said?Youll say, What are you afraid of?Hell say, Nothin neither live nor dead.Handy dandy, he got a stick in his hand and a pocket full of moneyHe says, Darling, tell me the truth, how much time I got?She says, You got all the time in the world, honey.Handy dandy, Handy dandyBridge #Hes got that clear crystal fountainHes got that soft silky skinHes got that fortress on the mountainWith no doors, no windows, no thieves can break inHandy dandy, sitting with a girl named Nancy in a garden feelin kind of lazyHe says, Ya want a gun? Ill give you one. She says, Boy, you talking crazy.Handy dandy, just like sugar and candyHandy dandy, pour him another brandyHandy dandy, he got a basket of flowers and a bag full or sorrowHe finishes his drink, he gets up from the table he says,Okay, boys, Ill see you tomorrow.Handy dandy, handy dandy, just like sugar and candyHandy dandy, just like sugar and candy Please note that this sample paper on Friend of Mine is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Friend of Mine, we are here to assist you. Your cheap custom research papers on Friend of Mine will be written from scratch, so you do not have to worry about its originality.

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I NEED TO FIND AN ESSAY!!!

If you order your cheap custom paper from our custom writing service you will receive a perfectly written assignment on I NEED TO FIND AN ESSAY!!!. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality I NEED TO FIND AN ESSAY!!! paper right on time.

Out staff of freelance writers includes over 120 experts proficient in I NEED TO FIND AN ESSAY!!!, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your I NEED TO FIND AN ESSAY!!! paper at affordable prices with cheap custom writing service! Ok, what do I do to make a difference? I do many things! Last summer I did an internship with the Casey Tress Endowment Fund. This program was a … I also do community service with my old elementary school's cheerleading squad. I am a cheerleader and my first time ever cheering was with the same elementary school, so it feels really good to go back and help out. Most people don't think cheerleading is a sport but it really is. It takes a lot of hard work and effort. Besides cheerleading being a sport, if anything it is a confident builder. The younger children in the community should have a lot of confidence while growing up especially if they're not as fortunate like other kids that have dedicated parents. it is also something really fun to do after school. Most of the kids I work with on the cheerleading squad are unfortunate at home and don't really have roll models that they can look up too. What I like to do is be that roll model for them. I call them my little sisters. By helping them become great cheerleaders and they will become great people, great students, and soon, they will also become great roll models. I really want to tell you how I helped a freshman at my school. Her name is Jessica Frank. She is a really intelligent, creative, and beautiful young lady. For some reason she was always getting picked on at school. I never really noticed her until one day during lunch I saw her in the restroom crying. As I washed my hands I thought about asking her what was wrong, but then I decided not to. When I walked out of the restroom it hit me "why not help her out and make a difference." I went back and asked her what was wrong. At first she hesitated and said, "nothing, I'll be ok." I knew she wasn't telling the full truth so I asked her again and then she started crying much heavier and gave a hug. She told me a was the first person in the school to have ever asked her "what was wrong." after that day In the restroom, Jessica and I became very close. My friends would ask me why I befriended her and why I wanted anything to do with her. I would always tell my friends to do something nice for someone else other than them selves. I believe since becoming Jessica's friend, that she has become a better and more confident person. She has made new friends, joined the student council, and has also become a cheerleader. She tells me all he time how nice of a person I am. It makes me feel GREAT! I always think to myself "Would Jessica be the person she is today if I didn't stop to talk to her in the restroom?" I guess I made a difference.

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Please note that this sample paper on I NEED TO FIND AN ESSAY!!! is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on I NEED TO FIND AN ESSAY!!!, we are here to assist you. Your cheap college papers on I NEED TO FIND AN ESSAY!!! will be written from scratch, so you do not have to worry about its originality.

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Benjamin Franklin

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BENJAMIN FRANKLINBenjamin Franklin was born on January 17, 1706, in Boston, Massachusetts. He was the tenth Son of Josiah Franklin. Benjamin`s mother was Abigail Folger, the second wife of Josiah. In Total Benjamin Franklin had 17 brothers and sisters. Josiah intended for Benjamin to enter

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The clergy, but Josiah could only afford to send his son to school for 1 year and clergymen Needed many years of schooling. When Benjamin turned 15 his brother started THE NEW ENGLAND COURANT which was the first newspaper in Boston. Ben always wanted to have a Piece to write about something in the paper but his brother never let him. So at night time he Write letters and sign them as Silence Dogood. This person was always critical of the world Around her and was always concerning the rights of women. Ben would sneak the letters Under the print shop and no one knew who was writing the letters. They became an immediateSmash hit. After 16 letters he finally confesed himself that it was him all along. Later, when Ben was older he moved to Philidelphia to find work as a printer and he did. He did so well That the governor promised to open up his own business if went to London to buy some fontsAnd some printing equipment. Franklin ended up going to England but the governor didn't Keep his promise so he was forced to stay in London for several moths doing printing work.When Ben returned to America, he tried to open his own shop, but it didn't go well so he Was back to being the printers helper. Ben was a better printer than the man he was working For, so he borrowed some money and opened up his business again. Ben was always working And the citizens started realizing what an intelligent man he was. He soon got GovernmentOffers and started doing good in his business. In 178, Ben had a son but the mother was Unknown. In 170, he married his childhood sweetheart, Deborah Read. After the success ofHis Business, they opened up their own store. Franklins printing business was successful in The 170s and 1740s. Ben retired from the business and started studying science, experiments,And inventions. In 174 he invented Heat- Efficent stove- called the Franklin stove. In the1750s,, He turned to the study of electricity. His Observations, including his kite experiment, which verified the nature of electricity and lightning brought Ben international fame. After his search of finding electricity, he started working a lot with independence. Shortly after his son became the Royal governor of New Jersey. Franklin was voted into the second continental congress which later became the committee that drafted the Declaration of Independence. Franklin died on April 17, 170 at the age of 84. His electric personality still lights up the worldWhen there are thunder storms!

Please note that this sample paper on Benjamin Franklin is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Benjamin Franklin, we are here to assist you. Your persuasive essay on Benjamin Franklin will be written from scratch, so you do not have to worry about its originality.

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A Mixture of Bruce Dawe

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http//www.cs.berkeley.edu/~richie/poetry/html/auth.html

A Victorian Hangman Tells His Love

Bruce Dawe

Dear one, forgive my appearing before you like this,

in a two-piece track-suit, welders goggles

and a green cloth cap like some gross beethis is the States ideaà

I would have come

arrayed like a bridegroom for these nuptials

knowing how often you have dreamed about this

moment of consummation in your cell.

If I must bind your arms now to your sides

with a leather strap and ask if you have anything to say

these too are formalities I would dispense with

I know your heart is too full at this moment

to say much and that the tranquilizer which I trust

you did not reject out of a stubborn pride

should by this time have eased your ache for speech, breath

and the other incidentals which distract us from our end.

Let us now walk a step. This noose

with which were wed is something of an heirloom, the last three

members of our holy family were wed with it, the softwood beam

it hangs from like a lovers tree notched with their weight.

See now I slip it over your neck, the knot

under the left jaw, with a slip ring

to hold the knot in place . . . There. Perfect.

Allow me to adjust the canvas hood

which will enable you to anticipate the officially prescribed darkness

by some seconds.

The journalists are ready with the flash-bulbs of their eyes

raised to the simple altar, the doctor twitches like a stethoscope

you have been given a clean bill of health, like any

modern bride.

With this spring of mine

from the trap, hitting the door lever, you will go forth

into a new life which I, alas, am not yet fit to share.

Be assured, you will sink into the generous pool of public feeling

as gently as a leafaccept your role, feel chosen.

You are this evenings headlines. Come, my love.

http//www.literatureclassics.com/authors/Dawe/

Bruce Dawe is an Australian poet currently teaching in Queensland. He is particularly known for his social criticism

Bruce Dawe is a very well known Australian poet who includes different aspects of Australian life into his poems from dogs taking their first pee in the morning in ‘Dogs in the morning light', to a hangman's story in ‘A Victorian hangman tells his love', to memories of a soldier going to the Vietnam War in ‘Homecoming'. Dawe writes with a casual language using everyday expressions and commonly used words frequently throughout his poems. He writes in a language that everyone can understand. Dawe has the skill of being able to use a simple word-structure and Rhythm to re-create his memories of the lifestyles of people and other aspects of life. Even though Dawe has this trademark of being such a colloquial style writer, his poems are still very serious and so should be thought about carefully to get the most out of the poems and to be able to see the seriousness of the meanings that Dawe is trying to put across. Such poems as ‘Drifters', ‘Homo suburbiensis' and ‘Life cycle' are good examples of how Dawe captures the minds of the readers about things so ordinary & everydayish but which he is actually being quite serious about.

‘Drifters' is about a family who move from place to place, as the father needs to move by the demand of his job. Dawe wrote this poem in a very casual language; however, if you read it carefully you would be able to see the seriousness of what he is saying. The young children are growing up to learn no other way of life except the life of continuously moving, as they are all waiting for the day they shall move again. The children get very excited about moving from place to place "and the kids will yell truly". The eldest is becoming aware that their roaming lives may never change "the oldest girl is close to tears because she was happy here". She is becoming frustrated with her life. Dawe shows pity for the wife, as she has to go through this more than once "she won't even ask why they're leaving this time". Dawe writes sympathetically about the mother, like when she asks her husband Tom to make a wish in the last line of the poem "Make a wish, Tom, make a wish". Because this is a continuous event the mother is getting frustrated as at the time of packing once again she finds that she has not unpacked from there last move. Even though this poem is written in a happy tone Dawe is being serious about the issue of how a family gets upset about being stuck in a life that is continuously moving around and not being permanently settled anywhere.

‘Homo suburbiensis' is set at a typical suburban home which has a vegetable garden out the back. The man is a suburban householder standing alone in his backyard on a quiet evening among his vegetables. The imagery suggests that Dawe is both celebrating suburbia, while in some ways putting down the suburban householders dreams. Dawes tone seems nearly humorous. The man's thoughts are lost escaping the pressures that come with life. Dawe shows a sympathetic look towards this man "lost in a green confusion", as even in the retreat of his backyard he still cannot escape his pressures in life, "time, pain, love, hate, age, war, death, laughter, fever". It can be seen quite easily in this poem that even whilst Dawe is writing colloquially a strong seriousness is coming across to the reader.

The poem ‘life- cycle' is based on Aussie Rules Football. Football is portrayed as a religion, as its tradition is life sustaining with no other thing better to do than support football. Even though football is a very everyday, casual topic, Dawe is still being very serious, because he knows that some Australians do take football this seriously. Dawe uses the language of football freely " barracking…carn…streamers… demons… saints…ladder…three- quarter-time". The Slang that he uses is very catchy and easy to understand. Dawe's manner is slightly disrespectful but gently so. He respects the strength of football and the life sustaining qualities it offers. The point he tries to state is the power and passion of Victorian football is wonderful to watch. ‘Life-cycle' was also written very colloquially but the reader should still not underestimate the seriousness of what he is saying.

From the three poems previously discussed it can be seen that even though Dawe has the trademark of being such a colloquial style writer, it should not lead the reader to underestimate the seriousness of what he is saying. Dawe goes into the depths of people's lives and makes their problems obvious to the reader. He faces people's problems that are not brought up everyday and that are sometimes ignored. He is still able write about these serious aspects of life in a casual and simple language so that the reader can understand. The not so serious topics that he also writes about are also seriously written and take a lot of thought from Dawe to come up with the poem that whilst writing colloquially are still being very serious.

HOMECOMING

1. All day, day after day, they're bringing them home,

. they're picking them up, those they can find, and bringing

. them home,

4. they're bringing them in, piled on the hulls of Grants, in

5. trucks, in convoys,

6. they're zipping them up in green plastic bags,

7. they're tagging them now in Saigon, in the mortuary coolness

8. they're giving them names, they're rolling them out of

. the deep-freeze lockers on the tarmac at Tan Son Nhut

10. the noble jets are whining like hounds

11. they're bringing them home

1. -curly heads, kinky-hairs, crew cuts, balding non-coms

1. -they're high, now, high and higher, over the land, the

14. steaming chow mein,

15. their shadows cross the blue curve of the Pacific

16. with sorrowful quick-fingers, heading south, heading east,

17. home, home, home and the coasts swing-upward, the old

18. ridiculous curvatures

1. of earth, the knuckled hills, the mangrove

0. swamps, the desert emptiness. . .

1. in their sterile housing they tilt towards these like skiers

. -taxiing in on the long runways, the howl of their

. home-coming rises

4. surrounding them like their last moments (the mash, the

5. splendour)

6. then fading at length as they move

7. on to small towns where dogs in the frozen sunset

8. raise their muzzles in mute salute,

. and on to cities whose wide web of surburbs

0. telegrams tremble like leaves from a wintering tree

1. and the spider grief swings in his bitter geometry

. -they're bringing them home, now, too late, too early.

BRUCE DAWE

"Homecoming" by Bruce Dawe describes the homecoming of dead Australian Soldiers from the Vietnamese War, (lines -). The poem has its poet expressing his opinions on man's response to wars, their longing need to have them brought home and the brutality and futility of wars upon the human race as a whole. Basically, "Homecoming" is a lamentation or a song for the souls lost in wars.

I chose this poem because it portrays the themes of Death, Loneliness, Sorrow and the outcome of wars. On a personal level, discussing theses themes gives me a better understanding of conflicts and how to resolve to them. The other reason why I chose "Homecoming' was because it challenged me to think of the squandered lives of many young men at war and how many of us ignore the vitality of life.

I enjoyed "Homecoming" because it was about historical reality that plays back in the present tense. The Vietnamese War was real and is now history; however, the ritual of finding some of the dead corpses lost in wars and bringing them home, still happens today. I also enjoyed the poem because the poet had communicated his message clearly, which was, to draw forth a direct reply from me to make an effort to get into his shoes and analyse his purpose of composition.

To evoke his themes, Bruce Dawe explores certain sounds of poetry. He uses assonance in lines

"deep-freeze" (to describe the temperature of the mortuary or where they keep the bodies of the dead before burial);

1 "non coms" (meaning war participants who never received the commission they deserved for being out at war);

16 "quick fingers";

1 "like skiers" (relating their homecoming in midair to the movement of war planes) and

8 "mute salute"(meaning the dogs salute the soldiers quietly).

He also uses alliteration in lines

"those they";

tarmac at Tan. . ." (a runway in a place in Vietnam);

1 "crew cuts";

1 "tilt towards";

"wide web" and

0 - "telegrams tremble" and "like leaves".

The poem also consists of rhymes. In lines 0-, Bruce Dawe uses the end Rhyme sound

0. "telegrams tremble like leaves from a wintering tree

1. and the spider grief swings in his bitter geometry . they're bringing them home, now, too late, too early.

"Homecoming" has a soft but steady Rhythm. Meaning that its rhythm is not discovered by reading it once in your head, but reading it aloud twice. Examples of the lines that have rhythm are 1

1. "All day, day after day, they're bringing them home,

. They're picking them up, those they can find, and bringing

. Them home…"

The Repetition of "day" and "bringing them home" can be described as soft because it isn't pointed out in the first reading but in the following and it is steady because the words are repeated to emphasize the rhythm and the meaning.

Moreover, the poem is structured as one long Stanza and is mainly composed of blank verses or lines that have no rhyme. In lines 6-0, the end words of the lines have no relation in terms to rhyme.

The poet also uses another poetic device known as figurative language. In line 0, he used a Simile to describe and relate "telegrams" to "leaves from a wintering tree". Another example lies in line 10, where the poet uses another similie "the noble jets are whining like hounds". Another type of figurative language he uses, is metaphors. In line 1, he makes the cities and suburbs of Australia a spider whose geometrical web is filled with bitterness over the death of soldiers.

Bruce Dawe's purpose in composing this poem was to explore his opinion on the circumstance that when humans offer themselves as a sacrifice for love, they least realise that they are leading themselves to destruction. He came to a conclusion that the lives of many young men are wasted (line) rather than sacrificed, as many like to think of it. "Too late" meaning that they are already dead and there's nothing anybody can do. "Too early" because they haven't accomplished their duties as young men on earth, like everyone else.

In a metaphorical sense, the poet blames the wars for such bitter grief placed upon the human race. To clarify his point, he paints the following images

. "and on to cities in whose wide web of suburbs

0. telegrams tremble like leaves from a wintering tree

1. and the spider grief swings in his bitter geometry"

Meaning that telegrams about the death of the war participants are sent out to suburbs in cities and the families' grief about such bitterness. The spider is the city, which contains the control center, whose web connects to all suburbs and to the locations and causes of war. Once the death has been told, the families and people in this web are filled with such bitterness rather than sadness, because of such inhumanity. The effects of the war have then taken over this geometry or web with the people in it, and the only one left to blame is the war.

Bruce Dawe uses a voice that is confused by the dullness of death, which is stuck in between having no relationship with someone, but then being considerate to him or her again. He arouses an atmosphere of death, sorrow, grief and loss and makes us think twice about the consequences of wars unity or a waste and loss to the society and economy of a group.

Above all, Bruce Dawe artistically gets us to see (not only the Vietnamese War), but also the effects of all wars upon the human race through his poem's purpose, his developed emotions and craftsmanship. "Homecoming" remains precise to its themes of death, sorrow and grief. However it is still complicated to understand and relate to the main purpose; the bitterness of wars.

A Victorian Poet Tells his Point

Bruce Dawe has a wonderfully natural way of writing, using such comfortable colloquial language and phrases, that one could be lead to believe he were telling a story, just to her. His poems range from humorous, to serious, from mocking to grieving, and each has an important point to make, however small it may be. ‘Life-Cycle' is entirely colloquial, written about Victorian youngsters' "lifetime of barracking", about footy, as an Aussie way of life. ‘Enter without so much as knocking' depicts the life of a "godless money-hungry back stabbing, miserable so-and-so", and his "economy-sized"mum. ‘Drifters', the tale of one nomad family, desperate for stability. ‘Homecoming' tells the heart rendering tale of war, and missed opportunities. Whether it is a long-awaited thank-you, a tribute to nameless heroes, or a goodbye unsaid, it is meaningful, and Dawe's point cannot be unnoticed.

Written in free verse, with typically Australian jargon and imagery, Dawe begins ‘Drifters' with the casual cadence and spontaneity of telling an anecdote. ‘Drifters' is a prime example Dawe's ingenious poetry techniques as Dawe immediately sets the scene with "kids" running disorderly around with a kelpie "pup" in a house with a vegetable patch, equipped with the typical ute and trailer of an Australian country family. The vegetable patch and the bottling set add a homely feel, and "the oldest girl close to tears" provokes sympathy. But far from a simple yarn, "Drifters" is a tribute to a mother, who notices all these things, the oldest girls misery and the youngest's rapture in mist of packing, yet again, and uprooting. A mother, in a time where women's suffrage was still young, but, as Dawe shows, not entirely unnoticed by the people who were most important.The green tomatoes a powerful symbol for themselves, not yet ready to be picked, plucked away prematurely from, one feels the only place this woman was prepared to call "home". Remembering their arrival, and her joy, "the first of the season", and the berries, as though something magical, something to be wished on, she says "Make a wish, Tom, make a wish."

A very powerful, heart rendering poem, ‘Homecoming' explores the tragedy of war, and senseless deaths of many young men. As opposed to "Drifters's" wistful and nostalgic tone, "Homecoming" is seriously compassionate, though still simply colloquial. Again the poem deals with domesticity, not the death itself, but the tedious acts of packaging the bodies, and sending them home. The simple images-"mortuary coolness", "green plastic bags", and ‘frozen sunset' instill a horror in the reader, "Picking them up, those they can find" chillingly describes these events as nothing out of the ordinary, with familiar words and phrases. This reminds us that, unfortunately, due to the horrific amount of casualties, the packing of dead bodies, of "curly-heads, kinky-hairs, crew-cuts, balding non-coms" became routine. Dawe juxtaposes two unlikely words- noble jets, frozen sunset, telegrams tremble for superb images. At the end of the poem, he personalizes the sadness, by taking away the anonymity of the dead. Now he writes of dogs who "raise their muzzles in mute salute" in a "web of suburbs" with "spider grief", giving the dead a home, family who telegraph, and a dog.

In a different style, Dawe uses humor, such as in "Going" to lighten a strong subject like death, and instills hope to people for a normal life after a death. Lightly plunging into the story styled as a conversation with the deceased, lightly mocking her and her death-"you would have loved the way you went!" And there is nothing more Australian, than a family barbecue, and the ill effects of a drought on the lawn. Dawe depicts Gladys in an old dress, likening her heart to a humdrum roller blind, a domestic and common Simile, though effective. He uses no complicated, high words, nor impossible statements or sentences, though in no way does he demean hi poem. It a good-bye, a closure this wonderful woman's life whom obviously meant a lot to Dawe.

‘Enter without so much as knocking' is, however, the most supreme example of Dawe's ability to combine colloquialism with power, and get his point through without so much as a second thought. "Shopping in the good-as-new station wagon (£45 dep. At Reno's)", with kids "straight off the Junior Department rack" cannot be done without "what the (beep beep) does that idiot think he's doing". The whole poem is interspersed with this hectic, conversational style, largely unpunctuated language "because I'm telling you straight, Jim, it's number one every time for this chicken". Such colloquial language is descriptive of many lives, hectic and fast, than ends just as fast as it came. The "godless money-hungry back stabbing, miserable so-and-so" dies to have "a really first-class job done on his face (everyone was pleased)" to "ride out to the underground metropolis…no parking tickets, no taximeters ticking", to in fact a place Dawe hints could be better than our world. In this Poem, Dawe touches on the interesting point suggested by Socrates, on the matter of life and death who said "... I to die, and you to live. Which is better, God only knows." Dawe has looked at life, its heartaches, unhappiness, war, hunger, and has questioned which is better. He also refers to the "sameness" of mass-produced people, all alike, and predictable, moulded by society with no trace of individualism allowed.

Bruce Dawe, an ingenious poet has created a trademark of colloquial writing, but this, however, should not be misinterpreted to be that he has no important, and insightful point to make. ‘Drifters', though written informally about kids, and a family with their keplie pup and veggie patch, is written as a recognition of a mother who, amidst her own sadness, does not fail to neglect those of her family. ‘Homcoming'uses many similes, and metaphors, and many plays on words, though still colloquially to tribute those lives lost in war, "bringing them home now, too early, too late." Consequently, through his trademark colloquialism, Dawe points out to us that the world is full of sometimes gladness, and sometimes not.

. In "speaking for those who have no means of speaking", Dawe has succeeded in writing poetry that has universal appeal.

In "Homecoming", poet Bruce Dawe uses vivid visual and aural poetic techniques to construct his attitudes towards war. He creates a specifically Australian cultural context where soldiers have been fighting in a war in Vietnam, and the dead bodies flown home. However the poem has universal appeal in that the insensitivity and anonymity accorded to Precious lives reduced to body bags are common attitudes towards soldiers in all historical conflicts. Although Dawe makes several references to the Vietnam War, the sense of moral outrage at the futile, dehumanising aspects of war is a universal theme. He also speaks on behalf of the mute, dead soldiers who have no way of expressing their suffering and loss of hope. By "speaking for those who have no means of speaking", Dawe ultimately exposes the brutal hopelessness of soldiers caught up in foreign conflicts and the shocking impact on families.

The title "Homecoming" is used effectively to contrast the traditional universal implications of the word with the shocking reality of dead soldiers flown home from Vietnam to grieving families. The word "homecoming" usually implies a celebration or Heroic reception for a great achievement, with a return to roots and family. It would further invoke a sense of anticipation for the return of a loved one whom has a real identity and a place in the hearts of those awaiting his arrival. However, the title operates ironically because the "homecoming" described in the poem is related to death, mourning and loss and the arrival of a nameless body is quite different from the heartfelt joy extended to a loved one. By establishing Irony through the globally understood ritual of homecoming celebration, Dawe generates universal appeal.

Through the use of Repetition, Dawe establishes the inhuman, machine-like processing of human bodies, a ghastly reality common to all conflicts that use innocent soldiers as cannon fodder. These soldiers will never have an opportunity to voice their protests or their sense of loss, hence Dawe offers a shocking expose of the futility of war and is able to voice his concerns of those who cannot articulate their views. Repeated use of the pronoun "they're", hints at the impersonal relationship between the bodies and their handlers. Repetition of the suffix

"-ing" in "bringing", "zipping", "picking", "tagging", and "giving", describing the actions of the body processors, establishes irony. These verbs imply life and vitality, in stark contrast to the limp, lifeless, cold body that they handle each day. Repetition is used effectively to highlight the shocking brutality that has manifested in all wars throughout history.

Word choice in "Homecoming" further underpins the poem's universal appeal where Dawe foregrounds the lack of identity and indiscriminate slaughter of young men in the Vietnam War. References to green bodies in "green plastic bags", shows the lack of individuality. Soldiers are being categorised as "curly-heads, kinky-hairs, crew-cuts, balding non-coms", a detached and anonymous image, establishing the idea that class, race or background is no favour in war, further reinforcing the loss of identity. It is shocking that "they're giving them names" since a name is one of the few identifying features left on the plethora of otherwise anonymous, mutilated bodies, "the mash, the splendour". The separation of soldiers and their identity is a worldwide concept, successfully illustrated through word choice.

Dawe uses vivid visual imagery to emphasise the emotional damage caused to friends a family through the loss of a loved one, a deep suffering that is often left unrecorded in the annals of history. "Telegrams tremble like leaves from a wintering tree" and "the spider swings in his bitter geometry", exemplify the arbitrary grief that affects those who receive notices. Personification of the telegrams shows them as "trembling" under the burden of the news they must deliver, ending any hope for families wishing their loved ones shall return alive. The relation of telegrams to leaves falling from a "wintering tree" is a powerful image, providing the reader with some idea of the immense number of dead soldiers. Dawe further suggests that a "wide web" joins all countries, with none able to escape the "spider grief" associated with war. By exposing the destructive and dehumanising aspects of war, Dawe appeals to the masses, removing it from its falsely glorified position.

Through the further use of imagery, Dawe succeeds in writing poetry that has universal appeal by underscoring the savage nature of war. The Simile "whining like hounds" emphasizes the destructive characteristics of war, also depicting dogs as sympathetic feelers of human emotion. For these dead soldiers, there is no big parade and music, only "the howl of their homecoming". The world famous twenty-one gun salute is also mocked, "mute salute", further establishing the worldwide notion of dogs as mans best friend, who unfortunately cannot voice their grief in words. Although these men have made the ultimate sacrifice by giving up their lives, the fact that they get no recognition for this act except from their dogs, emphasizes the global concept of war as dehumanising.

The setting Dawe describes in "Homecoming" is characteristically Australian but the issues related to the horrors and futility of war are universal in their implication regardless of the cultural context. References to the "knuckled hills" and "desert emptiness" of the Australian landscape underscores the irony of the "homecoming" since soldiers are unable to appreciate or comprehend the unique beauty of their land. Personification further foregrounds the human qualities ascribed to hill and the landscape, whereas the soldiers are ironically devoid of all life and humanity. The "desert emptiness" not only refers to the vastness of the Australian interior, but also to the empty futility of war. With the aid of imagery, Dawe establishes the pointlessness of war, in that of all the men who have ever died in battles shall never see their homelands again.

The final line of the poem creates the idea of Paradox, further endorsing the notion of senseless life loss, a universal theme. "They're bringing them home now, to late" because the chance to save their lives has now past. However, it is also "too early" since all these soldiers are too young, leaving behind an unfulfilled life. Unfortunately these soldiers will also never receive the true recognition they deserve for their efforts that would have been given at the end of the war. By using the technique of paradox, Dawe makes a final attempt at clarifying international misconception of war as beneficial.

Bruce Dawe successfully establishes the uselessness of war is his poem "Homecoming". He can be said to be "speaking for those who have no means of speaking" in the way he presents the attitudes of the silent, dead soldiers being flown home from Vietnam. With the aid of aural and visual poetic techniques he arouses sympathy, carefully manipulating the audience to reflect upon his own views towards war. In this way, Dawe has created a poem that is uniquely Australian, presenting issues of global concern and generating universal appeal.

Bibliography

Dawe, B. (000). Homecoming. In Bernard, V. (Ed.), Sometimes Gladness (p. 5). South Melbourne Pearson Education Australia.

Smith, G. (17). An appreciation of "Homecoming" by Bruce Dawe. [WWW document]. URL http//home.pacific.net.au/~greg.hub/lifecycle.html

Salmon, K. (000). Poetry of Bruce Dawe. [WWW document]. URL http//www.ozseek.com.au/EnglishUGen/PracticePapers/0001a.shtml.

‘Homecoming' was written in 168 during the Vietnam War with the intent of making its audience aware of the senselessness and tragedy of war. The poem deals with the numerous stages of bringing the dead home for their ‘homecoming' a supposedly joyous occasion worthy of great celebration. The title serves as a constant reminder of what may have been. Rather than coming home celebrating their Heroic survival, they are being bought home dead

they're bringing them in, piled on the hulls of Grants, in trucks, in convoys,

they're zipping them up in plastic bags,

Dawe uses a number of clever poetic techniques in order to express his feelings towards war. The repeated use of ‘they' and ‘they're' in the first section hints at the impersonal relationship between the bodies and their handlers. Dawe shows his audience how this is the harsh reality of war if people allowed the usual human luxury of compassion to overcome them every time they saw yet another dead body, it would be too unbearable. Rhythm is also used a great deal in the first section, making it sound almost chant-like through the use of pauses that form a direct beat. This rhythm suggests a slow, mechanical process, almost like an assembly line.

Interestingly, Dawe goes against conventional methods of breaking his poem up into different stanzas. Despite this, it is evident that the poem exists in three main sections the gathering of bodies in the jungles of Saigon, the flight back to Australian for the dead soldiers, and finally the bodies returning home.

In the second phase of the poem, this monotonous rhythm is abandoned. Gone is the ‘human touch' from in the jungles of Saigon; now the bodies are being lifted ‘high, now, high and higher', suggesting that the bodies are being taken to be laid to rest in heaven. Words like ‘noble', ‘whine' and ‘sorrowful' are used to express the sorrow and regret that Australian's will feel as their dead youths are bought home. Through the use of the Personification of the planes, Dawe voices the sadness and futility of the situation ‘tracing the blue curve of the Pacific with sorrowful quick fingers'

In the final phase of ‘Homecoming' focuses on the soldiers finally coming

home, home, home

The tone changes, and the lines echo the feeling of homesick Australia soldiers. As the planes approach Australia ‘the coasts swing upward' to meet the planes. This is the coastline that would have been so familiar to the soldiers' had they been coming home alive, yet now they don't have the opportunity to see the ‘knuckled hills, the mangrove-swamps, the desert emptiness', an environment vastly different from the jungle they had fought so valiantly in.

Dawe uses an effective Simile to remind the reader once again of the dead men ‘in their sterile housing' they tilt downwards ‘like skiers'. A more incorrect comparison could not be formed a skier is vibrant, full of life and vitality, quite the opposite of the stiff and lifeless corpses.

‘The howl of their homecoming' as the plane lands and taxis along the runway can be directly compared with the final dying moments of the young men. The howling and whining of weaponry that surrounded the men in their last moments can also be compared to the cries of agony that will later burst free from the wives and girlfriends of the dead soldiers in whose hands deadly telegrams will tremble like ‘leaves from a wintering tree'.

After the return of the dead, the noise fades. The pomp and ceremony is over, and individual families are now left to privately mourn and lament the loss of their loved ones. The tone now becomes more personal, with the obvious exclusion of the words ‘they' and ‘they're' that were present in the first two phases. The country is void of noise as fellow countrymen are not on hand to greet them; rather their bodies are being bought home too. Only the men's faithful friends, the dogs, are on hand to ‘raise muzzles in mute salute'. As the soldiers have finally arrived home, they once again become human and individual, still living in the memory of those closest to them.

In this section, Dawe uses skilful imagery related to winter to create a mood that is cold, gloomy and lifeless. ‘The frozen sunset' not only makes the reader feel chilled, but is also an ironic Paradox.

The last words ‘too late, too early' are another contradictory statement that leaves the reader to interpret them in their own way. I feel that it may be explained by saying that it is too late, because dead soldiers can have not joy of their homecoming, but too early because their families left behind are yet to understand and cope with the grief at hand. Or possibly it is it too early for the soldiers to die and they should still be alive, considering all that they endured during the war.

The overall tone of the poem encapsulates the hopeless sorrow that Dawe feels for the young people who are killed in wars all around the world every year. His skilful use of figurative imagery arouses sympathy from the audience and cleverly manipulates the audience to understand and reflect upon Dawe's own attitudes towards war.

http//dargo.vicnet.net.au/ozlit/writers.cfm?id=151

Bruce Dawe was born in Geelong, Victoria. He was an altogether indifferent pupil and, at the age of 16 he left school and was employed for short-lived periods in diverse occupations. In 15, however, he finished an adult matriculation course at night school and, in 154, entered the University of Melbourne. He remained at Melbourne for only a year, but it was there that he met Philip Martin, whom Dawe acknowledges as the greatest influence in his literary concerns, and who remained a friend, and an advisor in his developing poetic skills after he left his studies. He became involved with Melbourne University Magazine (MUM), Compass, and Farrago also, at this time, and published the ‘Joey Cassidy' stories in Farrago during that time.

After leaving university he was employed in Sydney as a factory hand, and in Melbourne, as a postman prior to joining the RAAF. While he was serving in the force, in the years 15 to 168, he published two volumes of poetry, he also married a local girl, and completed his BA. He was a teacher at Toowoomba's Downland's College in 171, a lecturer at the Darling Downs Institute of Advanced Education in 17 and, now possessed of an MA. And a Ph.D., from 10 to 1 was associate professor of literary studies at the University College of Southern Queensland, Toowoomba. Dawe is a productive writer who is both aware of, and concerned with, the brevity and suffering of life. In 184 the National book Council of Australia nominated Dawe's Sometimes Gladness Collected Poems as one of the ten finest national publications of the preceding decade.

Dawe is the recipient of the 165 Myer Award for Poetry; the 167 Ampol Arts Award for Creative Literature; the 168 Sydney Myer charity Trust Award for Poetry; the 17 Grace Leven Prize for Poetry; the 17 Braille Book of the Year; the 180 Patrick White Literary Award; the 18 FAW Christopher Brennan Award; in 10 a Paul Harris Fellowship of Rotary International; in 1 the Order of Australia (AO) for his contribution to Australian Literature; and in 1 an Honorary Professorship of the University of Southern Queensland in recognition of his contribution to the university.

"They halt at her gate. Next doors children / scatter past, laughing. They smile,. The moon, / calm as seashore, raises its pale face. / Their hands dance in the breeze blowing / from a hundred perfumed gardens . . ."

from Suburban Lovers.

Bruce Dawes work includes

1. No Fixed Address poems (16)

. A Need of Similar Name (165)

. An Eye for a Tooth (168)

4. Beyond the Sub-divisions (16)

5. Heat-wave (170)

6. Condolences of the Season Selected Poems (171)

7. Bruce Dawe Reads from His Own Work (171; poets on record)

8. Dimensions (174; editor)

. Just a Dugong at Twilight Mainly Light Verse (175; illustrated by Collette)

10. Sometimes Gladness Collected Poems, 154 -178 (178; nd ed. 18; rd. Ed. 188)

11. Five Modern Comic Writers (180)

1. ‘Public Voices and Private Feeling', in The American Model Influence and Independence in Australian Poetry (18; non-fiction, edited by Joan Kirkby)

1. Bruce Dawe Reads from his Own Work (18; poets on record)

14. Over Here, Harv! And Other Stories (18; short stories. Repr. as a Puffin 184)

15. Towards Sunrise Poems 17 -186 (186)

16. Speaking in Parables (187; selected and edited)

17. Stage Dawe A Theatrical Adaptation (187)

18. This Side of Silence Poems 187-10 (10)

1. Essays and Opinions (10; edited by Ken Goodwin)

0. The Writer and the Community (10; non-fiction)

1. Tributary Streams Some Sources of Social and Political Concerns (1)

. Mortal Instruments Poems 10-15 (15)

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